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orbh

by beat

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1.
orbh 31:34
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about

orbh

robota, forced labour. rabota, bondage.
orbh, proto-indo-european, slave/servant.
or
orbh, change sides.
this last interpretation is the concept for my/our composition.

as a musician and composer I am used to be quite in control
of the tonal product in my doings. quite, yes. 90-95%.
there’s always chance, as one says. 5-10%.

for this work, orbh, I will switch sides with the software I
usually work. these tools allow me to automate things
to a large scale by now. commands that are supposed to be
to my helpful advantage. bud for now I’m not using these
advantices just for 5-10% like chance. this time I’ll take over
chances place and give the software the freedom of 90-95%
of control. my main tools will be the on/off buttons and volume
faders. if one or the other software is not flexible enough
for diverse tonal outputs, I’ll use fx software to interfere.

the output of this sound work will never be the same
if played, or better said, triggered more then one time.
a recording will only state the moment of action and never
stand for „this one and only“ composition.

in the end I hope
you, the listener
and we, the software and I
enjoy the work.

Hardware: Laptop, iPad, Maschine MK3.
Software: Maschine, AUM, Animoog Z, SoundScaper, WOW, rymdigare, miRack, FLUX.

credits

released March 23, 2023

license

all rights reserved

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about

beat image

beat Vienna, Austria

selector, producer, musician, visual artist

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